The Origin.
Last week, your feed was probably flooded with images and videos from Bianca Censori’s highly anticipated first exhibition in Korea, alongside the ongoing buzz surrounding her partnership with Kanye (including the memorable flower boutique he gifted her). This debut marked the beginning of a bold new era for the architect-turned-designer, officially launching her art career with BIO POP, a live exhibition and performance in Seoul, South Korea.
This first chapter kicks off a seven-part series over the next seven years, where Censori turns domestic spaces into stages for ritual, intimacy, and transformation. BIO POP went full cinematic: kitchens became performance zones where Bianca silently baked a cake to classical music composed by Ye, while dining rooms hid a sculptural surprise. Behind the curtain, tables, chairs, and even a chandelier were designed to literally hold women in contorted poses, blurring the line between body and furniture. Masked doppelgangers in skin-tight latex filled the openings, creating a tense mix of restraint, ritual, and spectacle. Every piece, padded and flesh-toned, pushed boundaries of space, form, and control, reflecting how homes and objects shape power, posture, and identity.
PHOTO CREDIT: Noah Dillon
