New York Fashion Week remains one of the most selective and structured environments in the global fashion industry. Participation at this level reflects not novelty, but professional recognition, reliability, and the ability to operate within complex creative and production frameworks. Dmitrii Kastalskii’s repeated appearances across multiple New York Fashion Week seasons illustrate a sustained engagement with the runway as a professional discipline rather than a single career moment.
Through collaborations with designers working across streetwear, sustainable fashion, conceptual design, and high-fashion aesthetics, Kastalskii has contributed to collections presented before international industry audiences.
New York Fashion Week as One of the Global Big 4 Fashion Weeks
New York Fashion Week occupies a central position within the international fashion calendar as one of the industry’s Big 4 fashion weeks. Taking place in New York City and drawing global attention twice each year, the event functions as a key point of convergence for designers, fashion houses, buyers, media representatives, and industry decision-makers.
Developed under the direction of the Council of Fashion Designers of America, New York Fashion Week has grown into a structured institutional platform that shapes seasonal narratives, commercial strategies, and creative standards across the global fashion market. Its role extends beyond presentation, serving as a reference point where collections are assessed for design integrity, execution, and cultural relevance within the broader fashion ecosystem.
K Bobby: Gender-Neutral Design with High-Fashion Structure
Another runway appearance featured Kastalskii modeling for K Bobby, a unisex fashion label founded by Emmy Award–winning hairstylist and designer Kenneth “K-Bobby” Edgar. The brand combines structured tailoring with expressive detailing, merging streetwear accessibility with high-fashion sensibility.
Presented at established venues including Gotham Hall, the collection emphasized individuality, cultural fusion, and technical construction. Kastalskii’s role contributed to the runway’s balance between conceptual design and practical wearability. Kastalskii once said “It took me a while to really understand what K Bobby’s style is, how it fits on the body and how specific it actually is. In a good sense, of course.”
Works of Madness: Streetwear Informed by Conceptual Narrative
Works of Madness also became part of Kastalskii’s runway work, a brand that approaches streetwear as a medium for visual and symbolic expression. Built around heavyweight cotton garments, oversized proportions, and layered graphic elements, the brand explores themes of spirituality, internal conflict, and transformation.
Pieces such as the Captive Spirit Tee and the Seraph series translate these concepts into wearable form. The brand’s New York Fashion Week presentation marked a defined stage in its development, reinforcing streetwear’s place within contemporary fashion discourse. Kastalskii presented its t-shirt “Muted” within the February NYFW 2025.
Noa Rawitz: Sustainability as Design Framework
During another New York Fashion Week presentation, Kastalskii appeared as a runway model for Noa Rawitz, a designer whose work places sustainability at the center of the creative process. Collections are constructed using high-quality silks and advanced synthetic materials, prioritizing durability, structure, and long-term wear. Moreover, Kastalskii is featured as a model for selected garments sold through Wolf & Badger, an international marketplace representing best independent fashion brands.
Isabelle LaRue by Amanda Mirus: Ethical Craftsmanship and Design
Isabelle LaRue by Amanda Mirus approaches fashion through a model that integrates design with social responsibility. The brand is known for producing hand-woven jute handbags in collaboration with a nonprofit organization in India, supporting women artisans and preserving traditional textile methods.
Beyond accessories, the label has expanded into resort wear and menswear collections while maintaining a consistent commitment to ethical production. Signature designs, including the original Bitcoin Bikini, have contributed to the brand’s recognition within international fashion circles. Kastalskii was the model to wear a Bitcoin garment for the September NYFW 2023.
Royal Melanin Clothing: Precision in Urban Design
Royal Melanin Clothing operates within the contemporary urban fashion space, emphasizing clarity of form, material integrity, and functional versatility. The brand’s collections integrate streetwear sensibility with refined construction, offering garments intended for practical use while maintaining a modern visual language.
Kastalskii’s runway work for Royal Melanin reflected these principles, translating structured silhouettes and confident styling into a cohesive runway presentation.
Editorial Fashion Photography: Vogue Italia Collaboration
In addition to runway work, Kastalskii’s professional portfolio includes editorial fashion photography. In collaboration with a photographer Rinat Shahmetov, Kastalskii appeared in a photographic project published by Vogue Italia (PhotoVogue). Kastalskii appeared in the photograph “Loneliness” caught through the lens of renowned Shahmetov in March 2024.
The work focused on visual restraint, composition, and emotional nuance, situating Kastalskii within a broader editorial context that connects fashion imagery with narrative and artistic intent.
Ongoing Professional Engagement
Dmitrii Kastalskii’s continues involvement in New York Fashion Week reflects a career characterized by consistency, adaptability, and professional integration within the fashion industry. Across a range of brands and creative directions, his runway work demonstrates the ability to translate design concepts into coherent and effective presentation.
Rather than isolated appearances, Kastalskii’s record at New York Fashion Week represents sustained participation within one of the industry’s most structured and demanding environments, contributing to the ongoing development of contemporary fashion.
Author: Maria Ivanova
