No bounds for the Cavalli man.
Roberto Cavalli approaches the rock theme with a rebellious flair and in the most unapologetic way possible while still rooted to his rock-n-roll dandy rich boy look. Thick furs, dalmatian print mink, black turtlenecks, cool biker jackets and tight hip hugging pants were seen on the runway with a resounding dark tone and aesthetic. Overall it’s not about being too over the top in the Cavalli sense, but still keeping to the pure rocker attitude. Some of his pieces were seen with a black ribbon attached to it with the words EMPATHY and NO BOUNDS on it. This could be a subtle message from the designer, whose company is in the brink of sale and word on the street suggests this could be the last time he has full creative freedom before being owned. See all below:
No bounds for the Cavalli man.
Roberto Cavalli approaches the rock theme with a rebellious flair and in the most unapologetic way possible while still rooted to his rock-n-roll dandy rich boy look. Thick furs, dalmatian print mink, black turtlenecks, cool biker jackets and tight hip hugging pants were seen on the runway with a resounding dark tone and aesthetic. Overall it’s not about being too over the top in the Cavalli sense, but still keeping to the pure rocker attitude. Some of his pieces were seen with a black ribbon attached to it with the words EMPATHY and NO BOUNDS on it. This could be a subtle message from the designer, whose company is in the brink of sale and word on the street suggests this could be the last time he has full creative freedom before being owned. See all below:
Back to the Nineties.
Y/Project’s designer Glen Martens showcased his menswear and some of his womenswear pieces with a nineties silhouette and vibe thanks to 90s soundtrack setting the mood for the show which was the 1991 hit People Are Still Having Sex by LaTour. Luxurious leather outwear were the main focus of the collection with a mix of well contructed tailored pieces that were thrown into the mix, all in dark undertones of navy, red and camel. The silhouettes was a reminisce of the 90s minimalism look but Martens had given it a urban twist with a sophisticated youthful essence. See the full collection below:
